The national park service never uses fonts smaller than 24 points in their exhibits.
Ceramic size labels in a museum.
Place object labels to the right if at all possible.
Separate museum storage from all other uses including office space and research and work areas.
Hang all labels at the same height and use a level to make sure they are parallel to the floor.
Tynan s label for the chawan tea bowl.
In addition to being costly and time consuming for the curator to change paper museum labels labels are almost always also fixed in only one language and font size at a time.
Most museums have very specific guidelines for text labels.
4 do not apply a stiff material to a flexible surface.
In his classic book interpreting our heritage first published in 1957 freeman tilden defines interpretation as an educational activity which aims to reveal meanings and relationships.
How museum labels provoke reactions.
3 when in doubt use a tag.
House collections in a dedicated space that has minimal penetrations and optimum thermal performance.
Adhere small mounted labels with bluetac or similar easy to remove product.
Keep in mind and ensure that labels are placed on the side of the artwork which will be approached first.
All report an average cost of 70 100 per label including design and labor with a single misprint or a change of text causing this cost to skyrocket.
Unless your wall is as smooth as glass they are going to give you hell.
A museum label also referred to as caption or tombstone is a label describing an object exhibited in a museum or one introducing a room or area.
Museum storage areas must only house museum collections.
Museum storage space must be adequate to accommodate the particular.
Make the labels a standard size and pull off the old paper and put the new ones on.
Labels within an exhibition should all be the same size unless there is need for longer explanatory text.
Tilden emphasises that while interpretation includes information it also reveals larger truths about the world just.
1 for objects made of more than one material choose the least porous surface.
Size dimensions can be a bit superfluous in my opinion as for the physical labels steer clear of those printable self adhesive labels.
Metal shell glass or ceramic are better than wood or leather 2 avoid numbering over paint or pigments.
Place labels between eye level at 150cm to a lower height of 1m and within close proximity to the artwork they reference.
They look awful and usually end up curling at the edges and jumping off the wall after an hour or so.
Increasingly labels in non english speaking countries have labels in english as well as the main local language and in some parts of the world labels in three or more languages are common.
Makes the label appear to be floating also using a light spray adhesive makes the labels reusable.
